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Friday, August 30, 2002

Good afternoon, filthy capitalist American swine. Having read this article in which you support sending Afghani women to United States colleges, as a means of undermining our proud culture, I feel I must reply. My name is Usama bin Laden. You have probably heard of me, and no doubt tremble at the sound of my name. I was the mastermind behind the terrorist attacks on New York.

When I am not hiding in a dark, dank cave, like the cowardly terrorist that I am, I surf the net. Your blog post greatly offends me. It greatly offends Allah. Both Allah and I are deeply offended by how you dare show your facial features. Do you consider yourself an educated woman, American who does not conceal her face? Usama bin Laden considers himself an educated man. I attended the University of Pakistan, the finest college in the world. You fail to mention, either because of your ignorance to our ways and culture, or because of your natural hatred of Allah, that the University of Pakistan does indeed hold classes for women. You know nothing of the Arab world, ignorant American. You do not realize that our culture does value women greatly. Had Allah, in his infinite wisdom, decided NOT to create woman, then who would give birth to our children? And who would absorb all the beatings of the menfolk when the Western world makes them angry? Not children, surely. The boys grow up to be strong men. We could probably beat the little girls, but grown women and wives provide much bigger targets.

Allah forgive me for changing the subject. Usama bin Laden is a man of action, not words. He is a man of war, and full of the rage of the Arab world against the American and the Jew, who will not stop until he has discredited our system of education. Usama bin Laden declares jihad against your American colleges! To prove how much more superior the Arab colleges are, I show you the University of Pakistan Women's College Fall 2002 bulletin! (Truly, Allah blesses the men who made this bulletin. I expected there to be courses, but when the actual bulletin reached me, I said, "This is much more than we expected.")

UNIVERSITY OF PAKISTAN, WOMEN'S COLLEGE --(The only college approved by the Taliban.)

FALL 2002 BULLETIN:


Core courses available:

History of Arab women. M 8:30-9:45. (Instructor yet to be announced.)

Remedial Veil-Wearing. T 8:30-9:45. (Instructor yet to be announced.)

Changing the Roles of Arab Women. W 8:30-9:45. (Instructor yet to be executed.)


Prerequisites Available:

Intro to Psychology I. (Description: How to blame everything wrong on the United States and Israel.)

Intro to Sociology I. (Description: How to blame everything wrong on the United States and Israel.)

Intro to Macro Economics. (Description: How to blame everything wrong on the United States and Israel.)

Intro to Micro Economics. (Description: How to blame nothing that's wrong on the current regime.)


Electives Available:

Physical Education. (Description: A refreshing 70 minutes a day walking behind men on the beautiful outdoor track in eastern Pakistan. Advanced students are invited to walk to Israeli settlements, while Arab radicals concealing machine-guns use them as human shields.)


Advanced Electives:

Survey of Domestic Abuse. (Description: Teaching staff and students analyze the evolution of wife-beating since the 1700's. Most popular methods are performed during lab hours. Final exam: Each student is beaten for entire 2-hour exam block. Passing students receive complimentary second beating and references. Students who do not pass are given consolatory handshake.)

Survey of Film Acting. (Description: A review of famous Arab-American actors and their roles over the years. Special focus on the guy in the "Short Circuit" movies who had the weird accent, and the Iraqi woman who was shot in the head in "Three Kings." Midway through the course, students and teaching staff will dig up Alec Guiness' corpse and urinate on it.)

Survey on World Religions. (Description: A comprehensive survey on the idea of a supreme deity, theories on the afterlife, and how to use either as a quick reason to blow up an Israeli temple. Specific focus on the Old Testament and the Jewish Koran, specifically the most efficient means of burning them. Extra credit: Translating any part of the Book of Allah into an effective argument for destroying the United States and Israel. Example given below: "In the second chapter, fifth verse of the Book of Allah, the author begins his sentence with "The." Obviously, "The" can be translated to mean, 'The United States and Israel must be destroyed.' I would write more, professor, but I really must use both hands when strapping this bomb to my chest.")

END OF BULLETIN.

So tell me, infidel, why would Afghani women attend American universities when they can get this kind of education back home? I have not even brought up the free uniforms. Every student at the Women's College gets a free stifling-hot cloak and hood. Two new colors have been added. Now students can choose between Black, Obsidian, or Midnight. Also, the cafeteria now serves food. Finally, we have three new buses, converted from armored vans. Each can carry several hundred students, several hundred pounds of explosives, or a combination of the two. These buses make several daily runs through unsuspecting U.N. campsites (wink, wink). So all loyal Afghani women are invited to "register" today. While it's true that we male extremists could just as easily kill ourselves for our cause, Allah demands we try to use the women first. Besides, if we all blew up, who would be left to beat you...?

Tuesday, August 27, 2002

I take the 4-5-6 train into work now. I realized, as I exited onto the platform this morning, that when the trains pull away, they make this prolonged droning sound. Is it just me, or did the sound people on the old "Spider-Man" cartoons use that same effect for whenever Iceman used his powers? I'm not sure if that compliments the 4-5-6 trains or insults "Spider-Man and his Amazing Friends." What do all of you think?

While on the subject of cartoons, who was the black guy in the first G.I. Joe miniseries? Not Roadblock; he didn't premiere until the second mini-series. This guy wore camoflauge gear and drove a motorbike. Also, he had hair. For the life of me, I can't find the character in any G.I. Joe fan pages.

Friday, August 23, 2002

THE RELUCTANT FILM CRITIC’S CORNER

“The Straight Story,” (1999) directed by David Lynch. Review by Phil X.

There aren’t a lot of major American filmmakers who effectively polarize their audiences. Scorcese. Tarantino. Baz Luhrmann. David Lynch. Mention any one of their movies to the average cinema-trekker, and the response you’ll receive ranges from an enthusiastic “I loved it!” to a vehement “That sucked!” For Scorcese and Tarantino, a lot has to do with content. Ear-slicings and psychological decay aren’t everybody’s cup of tea. David Lynch’s most popular works—Blue Velvet, Twin Peaks, Mulholland Drive—feature no shortage of violence and disturbing imagery. However, what seems to put most people off about him isn’t content; it’s Lynch’s uncompromising, some would say reckless, tendency to make his films inaccessable.

Can anyone who has seen Fire Walk With Me explain what David Bowie’s character has to do with anything? How about the dude with the cowboy hat in Mulholland Drive? Here’s a good one: Can somebody explain to me how Fire…, …Drive, or Lost Highway can exist? I mean the logic of their stories. It’s like that line from the Coen Brothers’ The Man Who Wasn’t There: The more you look at something, the less sense it makes. Personally, I gave up trying to make heads or tales of anything by David Lynch a long time ago. If you haven’t experienced the Lynch-verse yet, but you’re planning to pay a visit real soon, trust me: Leave logic at the door. Give yourself up to the dark, dandy imagery, and watch out for Dean Stockwell singing Roy Orbison tunes with his face painted.

Or, you can try watching The Straight Story. This was Lynch’s 1999 effort, following the critical and commercial failure of Lost Highway. I’ve read a lot of reviews calling this “Lynch’s most accessible film ever.” Unlike many of his other works, the screenplay moves in a linear direction. Never does the viewer question whether he/she has been sucked into a parallel universe. Nor are there funny-sounding dwarves, standing in rooms with red curtains. Most surprisingly, there isn’t any gratuitous nudity. This is a Disney-funded, honest-to-God PG-RATED movie. Mention that to any hardcore Lynch fans. Last time I checked, a PG-rated flick helmed by Blue Velvet’s auteur was one of the signs of the apocalypse.

But this isn’t like the Peter, Paul and Mary TV Special directed by Tobe Hooper (Not making that one up.) While The Straight Story never evolves into surrealistic hallucination, a la its sibling films, it does feature similar distinguishing characteristics. In other words, the genes say it’s family, though it’s more of a second cousin than a brother. At its core, The Straight Story is about secrets. On the surface, Alvin Straight (played by the late Richard Farnsworth) is a kind, gentle soul. He’s everybody’s grandpa come Thanksgiving. But underneath his easy smile and harmless, hobbling gait, Alvin Straight hides dark, disturbing secrets: A wartime memory that has never ceased to haunt him. Wrecked years blown to hell by rage and alcohol. (There are hints that his own family wants nothing to do with him anymore. Outside of Sissy Spacek’s character—the daughter whom some would call “a little slow”—we never hear a word about Alvin’s other thirteen children.) And then there’s that decade-old feud with his brother Lyle.

After Lyle suffers a bad stroke, Alvin, an old man himself, decides he must reconcile with his brother. Having bad eyes and no car anyway, his only means of transportation is a tractor-style lawn mower. In the hands of lesser writers and directors, this would form the basis of an uninspired comedy with plenty of stale jokes. But in Lynch’s hands, the journey forms the backdrop wherein Alvin must confront his long-festering demons.

Substitute Alvin Straight with a suburban town from “Leave It to Beaver.” What you get is Blue Velvet. Use Hollywood instead and you get Mulholland Drive. In those movies, as in The Straight Story, Lynch shows us something bright, shiny, pretty. But then he starts peeling away layers. Gradually, the audience, and the characters, find out that what’s been hidden underneath ain’t nearly so pretty. We collectively uncover a pool of primal emotions: bitterness, anger, fear, resentment. Alvin Straight, staring across a bar at himself, just… talking about his past, unnerves as much as Kyle MacLaughlin’s first encounter with Dennis Hopper. It’s as earth-shattering as Naomi Watts waking up from her “dream.” It’s just a different kind of discovery, just a different kind of secret.

Is it more disturbing than the visceral thrills Scorcese and Tarantino give us? I don’t know. Nor do I know if it’s what Disney expected when they hired the notorious director to film it. But it’s definitely Lynch-world, though slightly on the fringe. Fringe-Lynch can be just as good, and just as bleak, as the real thing.

(p.s. Our well-wishes go out to Maggie’s family during these times of trouble. We sincerely hope her father is feeling better.)

Tuesday, August 20, 2002

Good morning. Though only a few weeks old, WHEN BLOGS ATTACK! has already carved out its niche as a column dedicated to the issues of the day. We try to address current news events in neutral tones. Yet every so often a story comes along to which we cannot help but speak from the heart.

Most of you out there have probably heard of the terrible tragedy of Maleny Mendez. This past Sunday, little Maleny was killed after leaving a friend’s party at St. Paul’s Lutheran Church. She was done in by a stray bullet, fired by members of the St. James Gang from the Bronx. Maleny was only 10-years old. She was an innocent bystander walking home with some friends, hit by ricochet fired by Mexican street toughs.

Now, I’m not going to play Al Sharpton. I’m not going to try and convince you that these members of the St. James Gang weren’t the culprits. These were impulsive, hot-headed, cowardly young men. They crashed a private party at St. Paul’s, and when the hosts wouldn’t turn over any free alcohol, these young hoodlums walked across the street and they planned their revenge. They waited until the party let out. Then, when they saw Javier Fuentes, the young man who had turned them away, exiting St. Paul’s, the young hoodlums broke out guns and started shooting. So cowardly were these young hoodlums, they used a street to separate themselves from their target. So cowardly were these young hoodlums, they didn’t even have the stones to approach Javier Fuentes, to look him in the face. Instead, they squatted in hiding, like the cockroaches they are. And in the end, they only injured Fuentes, but killed an innocent little girl.

What you have just read are the irrefutable facts, as reported by the New York Post. You will notice, however, that I refer to the culpable party as “members of the St. James Gang.” I do not place blame for Maleny Mendez’ death on the entire gang. Nor should anyone. To do so would be no different from blaming the entire country of Afghanistan for the events on Sept. 11th. Let us not weld the actions of a few reprehensible chicanos to Mexican youth groups in general. Let us never generalize.

However, I realize that many outraged readers—who could not be outraged by the death of an innocent child?—will say, “Of course YOU, Phil X, would defend these Mexican gangs.” Yes, I do defend them. But NOT for the reason one immediately assumes. While my past affiliation with Mexican street gangs from California has been well-documented—I am still referred to as “El Diablo Amarillo” in certain circles—I speak not from misplaced loyalty. Rather, I am aware of the rich cultural history inherent in Mexican street gangs.

Mexican street gangs grew as a result of economic squalor and racism. After the Alamo, white America’s attitude towards Mexicans, even nationalized Mexicans, was intolerant. A typical young Mexican-American found himself growing up in the “barrio.” This was synonymous with the ghetto. Chicanos found themselves discriminated everywhere; if lucky, they could find work doing the dirtiest, most dangerous jobs. And naturally, Mexicans feared the racist police. Ironically, Mexican street gangs formed to protect their neighborhoods from POLICE extortion.
How did all of this change? After World War II, Mexican-Americans had much less to fear from the white government for some reason. Gangs from northern California turned against gangs from southern California (Supposedly, it had something to do with whether Desi Arnez was gay.) Mexican pimps started unionizing, which led to the forming of the mafia. And in prisons, everyone was doing a new dance.

But my point is, do not blame all Mexican gangs for the death of poor Maleny Mendez. Do not even blame the entire St. James gang for her death. I would like to quote an internet article by Al Valdez, Investigator for the Orange County District Attorney's Office. The entire article can be found at http://www.nagia.org/Hispanic_Gangs.htm. In his article on Hispanic gangs, Valdez lists many of the customs and rules which Mexican street gangs are supposed to follow. They include:

(A) Never committing crimes in your own neighborhood,

(B) Never involving innocent people, like women and children,

(C) Schools, as well as churches, stores and movie theaters, are neutral ground.

It’s pretty f*cking obvious that Maleny Mendez’ killers did not follow any of these rules of engagement. In my opinion, no self-respecting member of a Mexican street gang can overlook this. This is an internal problem; like mafia members sleeping with other mafia members’ wives.

If the problem is not solved internally, by members of Mexican street gangs themselves, the worst possible thing could happen: the police themselves could end up taking care of it. Should this happen, the public image of Mexican street gangs nationwide would never recover. Mexican parents would no longer be comfortable with their children in Mexican youth groups. They will start admitting them into other organizations; for example, the Boy Scouts of America. Now, from what I’ve inferred via comedy sketch shows, many of those “scout-masters” are homosexuals. I can only imagine how screwed-up our young peoples’ morals would become. Before you know it, they won’t want to visit the bordello for their fifteenth birthdays anymore. What other alternatives are there? The 4-H club? I’ve got three words for you: West Nile virus.

So it is clear that there can be only one solution: Mexican street gangs must find this rogue member in their midst—it can’t be that difficult, since his photo is constantly shown on the news—and they must turn him in to police. Or kill him, whichever comes first. For he is not our brother. He has turned his back on the sacred tenets of Mexican street gangs, and spilled innocent blood. A 10-year old’s blood. Only by cutting this cancer from our bodies, though he is of the same flesh as ours’, can the institution known as the Mexican street gang endure into the next millenium. I hope it’s done quickly. The fate of several prostitution circles, and the continued extortion of Mexican shopkeepers hinges on the outcome.

Sunday, August 18, 2002

'Twas a moist, muggy day.
'Twere muggier, our mouths would mush and our shoes would slush.

IF LIFE WERE FAIR, the U.N. would pretend to let Daniel Pearl’s kidnappers go. Then they’d catch them, beat them, and shoot them each in the leg.

If life were fair, the minute Lizzie Grubman gets out of the drunk farm, a Mercedes-Benz SUV backs over her.

If life were fair, it’d be baseball FANS going on strike. (Try to find scabs for those!)

If life were fair, Brooklyn P.A. Marietta Small would drop dead and there’d be no will.

When Anthony Perreta’s mother died, she left no will bequeathing her assets. Marietta Small and her network of cronies undervalued the property, then sucked it dry. Perreta asked why he only received $2,240 from an estate worth over $100,000. It was because his mother didn’t read the “Small” print. If life were fair, Marietta Small would spend a day in jail for every dollar she ripped off illegally.

If life were fair, nice guys wouldn’t always finish last.

If life were fair, Anna Nicole Smith would get cancer from her breast implants. Then we could tune-in to “The Anna Nicole Smith Show” every week to watch her waste away.

If life were fair, Martin Scorcese would already have two Oscars.

Speaking of awards, if life were fair, when the 2002 Razzies come out, worst female performace will go to Lizzie Grubman for her “sincere apology.”

If life were fair, professional athletes, and not panda bears, would be an endangered species.

If life were fair, concealing an illegal firearm would carry the same penalty as attempted murder.

Give your own examples of IF LIFE WERE FAIR. Post a response.

Saturday, August 17, 2002

Okay, I promised to write about the demonstration in Times Square yesterday, so here I go. As most of you probably know, over 10,000 demonstrators, including police and firefighters, gathered in Times Square the past Thursday. They were protesting their wage increases over the next ten years; police and firefighters want pay raises that at least equal those of New York City public school teachers. Personally, I think they should get it.

Under their current contract, NYC police and firefighters start with a base salary around $35,000 a year. After five years, the most they could make is about $51,000. Not only is that less than a New York State police or firefighter could earn in the same amount of time, but it’s significantly less than what a NYC public teacher can earn after five years. According to the new contract the Teachers’ Union signed, public teachers can earn up to $81,000.

So, are New York City’s public teachers worth more than other civil servants, the ones who keep our streets safe and rescue our cats from trees? Let’s look at the facts: The city’s public schools are in horrendous shape. The only thing this inept cesspool of a school system has taught its students is how to get away with a sexual assault (Lesson one: Be the perpetrator.) Actually, that’s not entirely accurate. Thanks to that 12-headed stumbling monstrosity formerly known as the New York City Board of Ed, young people from each borough have learned that if you teach a few years, then get yourself a cushy job in an administrator’s office, you too can be an obsolete lardass leeching off the tax dollars of those who actually work for a living.

Of course, that’s not to say that teachers didn’t deserve raises. After all, the only excuse for the Hapsburgian gene pool that currently commendeers thousands of classrooms every day is the small money that used to be offered. So bravo the new contract. I’ll be honest with you. Before the announcement of that new contract, I never entertained the possibility of becoming a New York City schoolteacher. But with an extra $30,000 a year after five, heck, I might just go back for those 18 education credits. You can buy plenty of kevlar vests with that kinda moola.

But as for the police and firefighters, I say give them raises too. It all comes down to competency over the years, and the boys in blue got it done. Let’s face it, the school system went to hell in a handbag during the Giuliani years. The pay raises should garner some new qualified talent, but that’s just projection. For all we know, P.S. 277 will be a real-life Lord of the Flies by the time Bush finishes his second term. But while our teachers have long since proven themselves inefficient, our beloved NYPD needs no improvement when it comes to pulling out their firearms and bringing down a suspect. How efficient have they been? Not only have they killed drug dealers, rapists, and murderers, but look at all the innocent people they’ve killed too! At least we know our tax money for bullets hasn’t gone to waste. I’m sure the official bullet-to-human flesh ratio makes Ray Kelly proud!

So let’s not bogard the cash! I know what you’re thinking: Where would we get the money for these raises? From the corporations, that’s where! Corporate America doesn’t give a damn about anything except their own personal wealth, so why cut them any slack on their Manhatten office space? All we need is an extra billion or two every ten years. They spend that much on electricity shredding incriminating documents. What are the corporations going to do? Leave New York? Oh no! Thousands of investment bankers and stockbrokers will go with them. Wouldn’t that be a shame! You kidding? I say, you want to cure all of New York’s ailments, then get rid of some of these yuppified briefcase-pushers! We’ve already got more than we need. I can’t spit on the subway without hitting one of them (In truth, I don’t spit on the subway without aiming at one of them.) It used to be, the iconic image of New York was Broadway, then Wall St. We used to attract dreamers who wanted to make it as actors, dancers, musicians. Those days are over. I’m in a restaurant the other day, and there’s a waitress telling everyone how she wants to make it big as a tax accountant! Whoa! I know we’re not in Kansas anymore, Toto, but something tells me we’re not in Oz either!

Why not shake down some of those corporate sleazebags? If they leave, something else will always replace them. It’s a little known fact that New York City used to be the agricultural capital of the world. I read about it in the Post. There used to be a big farmers’ fair in the site that became the World Trade Center. I’m not saying we should go back to that specifically. The point is, there’s so many industries that would flock in and fill the void. There are already plans by Tribeca and other private companies to build soundstages in Brooklyn. Soon we’ll be the Hollywood of the east coast. If we don’t bankrupt Hollywood, we’ll at least kick Sydney, Australia’s ass. And anyway, NYU, Columbia, and Baruch put out so many quality business graduates a year that the firms will have to stay. They’ll just pay their employees less, and that’s just as good for the rest of us. Ideally, rents will go down, prices in general will follow, and then the cops, teachers, and firefighters won’t even need big raises to have a decent living wage. Baseball players would still earn too much money, but with any luck they’ll strike soon, no one will buy tickets anymore, and the entire sport will fade into obscurity.

So once again, police and firefighters deserve their raises, but we should force the greedy corporations to pay for them. If you have an opinion on the matter, whether it dissents or agrees with all the crap above, post it here at WHEN BLOGS ATTACK! Now, if you don’t mind, I’ve written way more than I expected to write. I should really stop doing that, since my real ambition is to be a portfolio manager. Or if that doesn’t work out, a really cool waiter.

I was going to write about the strike in Times Square yesterday. Then I changed my mind. Maybe I’ll do that tomorrow.

THE RELUCTANT FILM CRITIC’S CORNER:

“The Man Who Wasn’t There” (2001)

Throughout their impressively durable careers, the Coen Brothers have bounced back-and-forth between wall-to-wall goof-fests (“Raising Arizona,” “O Brother Where Art Thou?”) and seriously intense thrillers (“Blood Simple,” “Fargo.”) Personally, I’ve always preferred the latter group to the former (I mean, what exactly is the “goddamned pediphernilius?”), and lucky for me, “The Man Who Wasn’t There” falls neatly into that category.

Joel and Ethan’s latest outing features Billy Bob Thornton as a barber named Ed Crane. Ed suspects his wife—played by Coens’ regular Frances McDormand—is cheating on him with department store magnate Big Dan (James Gandolfini). So the barber blackmails the businessman. As in “Blood Simple” and “Fargo,” something unexpected turns the plot upside-down. I won’t give away the details—I’ll just mention it involves a glass-encased office that resembles the opening scene of “Double Indemnity”—but after that, we’re never really sure where the story’s going to go (That's a good thing.)

This movie represents the seventh consecutive collaboration between the Coens and cinematographer Roger Deakins. He should be an honorary Coen; his visual skills have as much to do with the Brothers’ success as the writing and directing. The movie was shot in black-and-white—a first for the kings of independent film. Deakins’ seems to have had no trouble adjusting. Check out the bathtub scene in particular—black shadows, white skin, grey water—it’s all cool.

Personally, I wish the Coens would make more films like “The Man Who Wasn’t There,” as opposed to oddities like “O Brother Where Art Thou?” I’m not sure why the Coens regularly make films where everybody behaves like a googly-eyed eccentric. Maybe it’s something they have to get out of their system. There seems to be a discernible pattern: non-serious movie first, then serious one. Not that “The Man Who Wasn’t There” is as serious as a Greek tragedy. There are Coen Brothers touches: a grown man riding a pig, and this recurring subplot about UFOs. I guess it shows that the Brothers have yet to compromise their vision. Perfect example: Even in our current tobacco-villifying times, the filmmakers have Billy Bob going through as many cigarettes as the real actor goes through wives.

Friday, August 16, 2002

Thanks to everyone who replied. I apologize to Sam who has to live in constant fear that someone will see her browsing this site. Personally, I wanted the title to be sort of subtle. But Maggie insisted on three exclamation points following each word!!! Just like that! Oh well. What's life without a little controversy? (Any way to make the title letters bigger...?)

Okay, strange things are afoot since yesterday. I was 100% certain that by now, I would either be enrolled for the Masters in Library and Information Science program at CUNY Queens, definitely employed for the coming schoolyear at a private school for children with communication disorders, or both. As of my writing this, I am no longer certain of either. Having this cloud of uncertainty perched over my head, threatening each moment to let loose a storm of disaster and disappointment—well, I’ll tell you, it’s frustrating. Even more frustrating is that it started off as such a nice day…

9:30—Clock alarm woke me up. First thing I did was call the school that wanted to hire me. Left message. “Yeah, I’ve been mulling over the job offer for the past week. You told me to get back to you before the 26th. Well, good news. It’s only the 15th, and I’m calling to let you know I’m taking the job. Call me back at -------. Have a nice day.”

9:45 to 10:00—Washed, dressed, stumbled out the door. On way to bus stop, dialed number for Queens College LIS office. Wanted to make sure registration is definitely in LIS office.

Me: Hi, Phil X. Grad student. Registering today. Rosenthal Library. Basement, right?

Secretary: Yes, registration will be at the library, starting at noon. Did you already show proof of immunization?

Me: Yeah, well, with any luck I can get there early, so—What was that about immunization?

Secretary: You need to show proof of immunization. Rubella, measles, mumps. The standard.

(Flashback: One week earlier. PHIL opens letter from Queens College. He’s been expecting this—news that he’s been accepted to the LIS master’s program.)

(MONTAGE: “Congratulations.” / “Registration will be at” / “noon until 6 p.m.” / “in person” / “There will be NO registration by telephone.”)

PHIL: NO registration by telephone?! What the hell is this?!

(Phil tosses paper in the air, then storms out of the room to kick a puppy. CLOSE UP of paper as it lands on carpet. TIGHT: “Please bring proof of immunization”)

11:30—Arrived at NYU. Went to Health Center, negotiated way to Immunization Office. Presented ID. Got proof of immunization.

11:45—Hopped Queens-bound R. While on R, checked cell phone real quick to see if anyone left message (Meaning: Did the school left a message?). No message, but phone does not work in subway. Wondered if I got message, but phone cannot retrieve it?

12:55—Queens-bound E finally arrived at Kew Gardens. Walked to Q74 bus stop. Waited with small group of people. HUMID. SUNLIGHT SHIMMERS off the windshields of cars…

1:10—Checked phone again. No message. Seems odd. You’d think the person at the school would’ve at least called me back, let me know they got my message.

1:30—Been waiting for bus in unbearable heat for twenty minutes. Finally see a Q74 crawling up the street.

1:31—Q74 passes without stopping. Driver turns, looks at us with no expression on face as he passes. I seem to be the only one surprised that the bus didn’t stop.

1:32—Turned to other person at stop, a kind-looking old black lady.

Me: This is a bus stop, right?

Black lady: The driver just went on by.

Me: Yeah, I’m aware of that. But buses do stop here on occasion, don’t they?

Black lady: They’re supposed to. If the driver’s behind schedule, they’ll just drive on to the next stop.

(Flash-forward: PHIL walks up behind same bus driver in dark alley. Phil has object in hands, which turns out to be large sledge hammer. Phil walks up behind bus driver, swings at head. Freeze-frame.)

Phil (v-over.): I realize this may be a common thing for bus drivers to do. But even if they’re behind schedule, they should stop the bus and pick up the passengers. Someone should tell them, “Hey, I know you’re called a bus driver, but you’re not actually being paid to drive the bus. You’re bring paid to pick up passengers, and to transport them where they’re going.”

1:45—Another Q74 arrives. This one stops. Got on bus.

2:00—LI Expressway outside window, moving across. Sat and thought, “Okay. I was hoping to get to registration early. Now it turns out I’m late. That’s alright. I have four hours, the bus will be arriving in front of Queens College campus in about a half-hour. I’ll just bring the immunization forms to admissions, then walk over to the library to register.

2:30—Got off bus in front of Queens College campus.

(Note: CUNY Queens resembles a traditional university campus. Cheap-looking facilities are spread out across the length of the property. There are quite a few parking lots. Since this is the summer term, most of the students seem older than university students would be. PHIL wanders past the black corrugated iron gates, a small dark figure contrasted against the blanched concrete.)

2:31—Was happy to be there… until I realized where I was.

2:31:15—Happiness to be there deflated into… mild relief.

2:50—Made my way across campus to admissions office. Sat down in waiting room, a cozy, velvet-colored antechamber. Dim lights. Seats that looked plusher than they actually were.

3:00—Entered advisor’s office. Was told I had to take proof of immunization to Health Center. The Health Center located in gymnasium across campus.

3:20—Crossed campus to gymnasium. Sprinklers were running in front of building. A light breeze made a cool spray, which was welcome at that time in the afternoon. An older woman, who had also been walking along the tarmac, and had a visible tattoo on her left arm, smiled at me at some point and said, “God, that feels comfortable, doesn’t it?” I nodded, said “Sure.”
The woman started trying to chat me up. All I can recall of the next few words she selected was something like “Wish I had those sprinklers back home…” I had trouble thinking of anything to say that wasn’t monosyllabic or wasn’t a nod. At some point, I increased my walking speed, and entered the gymnasium ahead of her. Went from lobby into adjacent hallway.
I had no idea where I was supposed to go. After walking in circles a bit, I doubled back, found someone who worked there, asked him where the Health Center was. It turned out it was in the part of the gym I had been in before. So I re-doubled back, eventually found the right office.
The clerk looked up from her desk. It turned out to be the same woman who had tried chatting me up a few minutes before. I hoped she didn’t think I had purposely snubbed her. While it’s true that I had snubbed her, it was only because of the heat, and because I was in a hurry. She didn’t smile at me, didn’t make much eye contact. Her attitude reflected pure professionalism and ever-widening emotional distance. In other words, she was real cold. I think the lady thought I had purposely snubbed her.
Still, she was a professional, so I got my immunization file photocopied and returned to me. I wasn’t sure if I had to go back to admissions. I explained to her my situation, how I was a grad student, and how I had to hurry and register.
“Oh, you have to photocopy your record,” she said. “Then take it back to the Admissions office. Just come back the way you came.”
I photocopied the form I brought with me, thanked her politely, then headed for the door. The last thing I can remember about the lady that afternoon, she smiled. I was sure it was a friendly smile.

3:50—After waiting again, I found out the lady from the Health Center had pulled a trick on me. I didn’t have to come back to the Admissions Office. I could’ve marched straight on to the library—had I been informed correctly.

4:25—Ran across campus the other way. Arrived at Rosenthal Library looking like a sodden mess. By now, I was certain there’d be a line of registering students going out the door. Doesn’t everybody wait until nearly the last minute? But as I stumbled downstairs, then blundered into the hall outside the LIS office, I realized there was hardly anyone else there. Only this one student ahead of me. I was whooping it up inside my brain, certain that in a few moments, I would be registered for classes. That I would be taking my first step towards a grad degree. I mocked the fates whom I felt had conspired against me.

4:35—My advisor, whom I will call Dr. Rudolph because he had the reddest schnoze I had ever seen—God, it looked like his face had sprouted a strawberry—told me everything was closed except a class on Literature and the Library. He showed me the syllabus, which involved a lot of reading of Shakespeare and other classical writers. Basically, it was a intro-level English course. Fresh out of “--U“ with a B.A. in English and I’m being offered Lit Interp all over again. So I turned it down. I turned it down with no hesitation, like I’d reacted to a mosquito bite. I said “Sorry. Maybe next semester,” and then I picked up my knapsack. I wrapped the straps wet with warm sweat across my grimy shoulders, and I left without so much as a good-bye. Before I realized it, I was standing at the bus stop again.

4:45—Last chance to reach the private school before it closed for the day. The director had already gone home. Her secretary didn’t know if she had received my message. Said I’d call back tomorrow, then hung up and waited for a bus.

5:15—Everybody was so unhelpful. No one seemed to know which bus went back to the Kew Gardens stop. Fed up, I hopped a Q88 to Flushing. Caught a glimpse of the main branch to the Queens Library out the window moving past. Never seemed so far from a goal.

5:40—Hopped the subway at Main St, purple line. Long way back to Sheepshead Bay.

???—Finally got home. Starting writing all of this. Died shortly from exhaustion.


IF YOU’VE EVER HAD A DAY LIKE THIS—LET EVERYONE KNOW! Send your adventure to LIVE! NUDE! GIRLS!
p.s. If the job pans out, I guess I'd be looking for a place in the $700 or less range.

Wednesday, August 14, 2002

Today's update:

Watched "The Man Who Wasn't There" and "Ali" back-to-back. I will post reviews as soon as I can write them. In the meantime, I have to register at Queens College's tomorrow, then meet with my soon-to-be new boss. Anyone out there know of somebody in Queens or Manhatten who needs a roommate starting next month? Post all your responses here at LIVE! NUDE! GIRLS! (Thanks, Sam and Maggie!)

Tuesday, August 13, 2002

I neglected to update my blog yesterday. I was busy working on my latest treatise, an essay entitled "On Education." I hope to have it finished soon.

It is very humid today in Brooklyn. Across from where I live is a park, and a cool breeze occassionally passes through. I believe life would be unbearable without the little pleasures. Speaking of little pleasures, I discovered that my local video store throws out its movie posters after a few weeks. Such would have been the fate of their "Amelie," had I not rescued it at the last moment. It's still in very good condition, and I plan to give it to my cousin as a housewarming gift. If anyone out there wants a poster for a particular new video release, let me know. I will make the minimum effort to procure it.

Monday, August 12, 2002

Essay: On Education

Introduction:

It’s fast approaching the end of August, which breeds a strong sense of nostalgia in me. After all, for the past half-decade, the end of summer would mark the beginning of a fresh new year of college. Not so this year. In spite of my best efforts, I managed to graduate this past May. I shall miss the college life. For those of you who don’t know, I was an English major, meaning that I read the works of many a famous philosopher and thinker. Nothing was so much fun to me as poring over the texts of the great wordsmiths: Sir Philip Sydney, William Shakespeare, John Milton, Thomas Argyle. Fun, fun, fun, that was life as a college scholar. And if reading the dusty old works was jovial distraction, analyzing and memorizing was like a weeklong pass to Disney World (that’s the one in Orlando; it’s got the giant golf ball, which is fun on so many levels.)

Granted, like most paths through college, it required much toil and perseverance on my part. But by Jove, that was part of the fun, too! I think a quote from the ancient Greek scholar Euriditus best conceptualizes my joy: “Nothing so satisfying as being tired. Nothing as tiresome as being satisfied.” And while Euriditus went on to hang himself by his own toga one cool autumn afternoon, one cannot doubt the wisdom inherent in his words. Truly, sometimes the labor is its own reward. You say Sisyphus dwells in Hell? I would argue he lives in Heaven.

Others, however, might not be so masochistic. They would take a more “serious” approach to college, meaning they would not attend a school that only had ugly chicks. Unfortunately, the sheer number of these unhappy souls has only grown in recent years. For them, the importance lies not in the journey, but in the destination. And the destination often involves a harem of scantily-clad, not-ugly chicks.

But I didn’t compose this essay for those people (Unless Playboy or Penthouse wish to syndicate this essay. In that case, I composed this essay exactly for those people.) Rather, I wrote it for those who resemble myself a few years back. Fresh out of high school, at the proverbial crossroads regarding which direction in life to take. Standing at the edge of a precipice, staring across the chasm to the opposite side. College stood with wide-open arms. Like many a young high school grad, I spent long hours standing at the outstretched ridge of that cliff, pondering “Dare I jump? Dare I jump into the waiting arms of college? That way holds four-to-six years of intense study, which I’ll have to pay for. Am I ready to make that leap? Would I be better served just getting a fast food job, and smoking weed in my parents’ garage on the weekends…?”
I wrote this essay in hopes of encouraging those “on the ledge” to go ahead and make that jump. It probably won’t kill you. And who knows, you might actually learn something. I also wrote this long-winded piece for those already in college, and those who, like me, are in college no longer.

I’m not saying that as a means of means of broadening my own commercial appeal; sincerely, I reach out to everyone. But I extend the olive branch to young people in particular. Universities nationwide need constant injections of dedicated young people, due to the many criticisms of higher education that have been propounded over the years: That it destroys creativity, that it fosters social inequalities. I disagree vehemently with those points, as you’ll find out soon enough. But this essay is more than just a forum for attacking critics of the college institution.

It’s also a trip down memory lane; I hope fellow graduates will recognize shades of their own experiences. Having said that, the following essay is broken down into three sections. I hope it can be enjoyed, and if someone does enjoy it, God help us all.


First Part: The Round-Square Peg Theory

Certainly, there was more for me to take away from my college experience than a handful of words once scribbled by a living hand. How tragic to end up nothing more than “old wine in new bottles,” as Thomas Hardy put it. As if that could be true! The idea that education bludgeons the individual, beats down the sharp corners of individuality until the “square peg” submits to fitting into the “round hole”—these are lies perpetuated by dirty, lazy hippies, jealous that others will be getting ahead in life.

Who among us has never encountered a hippie? Who could be that lucky? No one I know, that’s for sure. Hippies are like Jehovah’s Witnesses, or people who listen to European dance music turned up way too loud. No matter what isolated corner of this country you move to, there’s always one person like that. They (Hippies) don’t go to school. They work dead end jobs—part-time. And they’re constantly borrowing money, which they have no intention to pay back. What’s their excuse for being lazy wastes of sperm? I’m a musician. I’m a writer. I’m an artist.

And you tell them you go to college, and what’s their response? Hey, I don’t waste my time with college. The best artists never went to school, ‘cause school can’t teach (Thumps chest.) what’s in here. That is the most preposterous, self-congratulatory, self-serving shit I’ve ever heard. As if school is some tyrannical warden, slapping chains on all our wrists. As if their impotence and inability to do anything is a result of embracing freedom. On the contrary, like the original dirty, lazy hippies, these 21st century versions subvert the idea of freedom for selfish purposes. In their unwashed hands, it becomes an excuse for laziness. They wrap their bodies with the American flag, then soil it because they’re too stoned and lazy to get up and use the bathroom.

But young people, impressionable young people—we think they’re so cool for some reason! I don’t know how many people will end up reading this essay, but for those who do, let me give you the inside track on the truth:

Most lazy artist types don’t have an artistic bone in their body. They put on a bold front, but there’s a logical reason why they aren’t attending art college. It’s because they aren’t good enough to attend. And I’m sure most of them know it. Put them in an audition, and they’ll piss their pants. Incidentally, another truth is most artistic types take on their lifestyle in order to get chicks. This would make them just as bad as those who go to college just to get chicks, except the latter group at least made the effort to register for college. So really, while both cliques are equally reprehensible, you have to respect the college-bound ones for showing initiative. In order to register, they had to have gotten out of bed at some point. With 21st century hippies, can we really be sure…?

Seriously, if hippies really bought into the “I don’t wanna, like, conform” mentality, why do they sit around all day taking bong hits? If individuality is so important, shouldn’t they be discovering their own individual drugs? If everyone gets high the same three ways, how can anyone getting high call him/herself an individual? While on the subject of getting high, why do druggies refer to it as “experimenting with drugs?” They already know what the drugs are going to do. How can it still be an experiment. Now, if they were injecting a shot of weed killer into their arms, or some mysterious substance syphoned out a crashed meteorite, that would be “experimenting.” Who knows what would happen. Of course, I’m not saying that all hippies should immediately inject themselves with bizarre substances that no one’s injected into their systems before. However, I would certainly respect hippies a lot more if they played “Challengers of the Unknown” with some larger cojones.

Assuming that experimenting with drugs can actually be called “experimenting,” even then, college life excels past dirty hippie life. Unlike dirty hippie life, universities allow intellectual experimentation along with chemical and sexual. That’s three-to-two, in favor of college. And before the Haight-Ashbury crowd brings up Timothy Leary, let me interject: Yes, he was a college professor. Yes, he started the whole “Tune in, drop out” movement. But the man also videotaped his own suicide. Plus, he had so many chemicals addling his brain, he would lose equilibrium while lying down. Whose bright idea was it to elect this guy Lord of the Flies just because he mildly resembled an actual authority? Let me tell you, if the only cooking show on all one-thousand Dishstar channels is hosted by Ed Gein, that doesn’t necessarily mean it’s a good cooking show. It just means he’s already chainsaw massacred Emeril Lagasse and that Cajun guy. Not that I’m saying Timothy Leary was a mass murderer. I’m just saying I don’t want to see a cooking show hosted by Ed Gein.

However, the point of the preceding paragraph was not to firther criticize lazy hippies. It was to defend the university as a breeding ground for creativity. I strongly feel that my personal creativity, the originality of my thought, has only been enhanced by all the professors, all my peers, even the campus museum exhibits which I encountered. Once, I took a creative writing class which specifically taught me to write like John Keats. Never had I felt my creativity so spurred. I still remember the final exam. We had to compose a couplet in the style of his odes. I spent two hours feverishly scribbling, crumpling up paper, scribbling some more, my brain swimming towards some gleam of perfection it recognized in the murk. At length, I produced my couplet. It read as follows:

“Truth is beauty, and beauty truth
That is all there is, and all you need to know.”

When the exam was returned to me, the professor noted how I substituted Keats’ original “ye” from the second line with “you.” She recognized my bold attempt to express the universality of Keats’ original themes, while adapting modern colloqualisms—such as “you”—in order to give the work my own personal spin. Of course, she was the kind of professor who withheld overt complements, lest the student develop a swelled head. But I’ll never forget her final comments,

“Phil,

I’m giving you an ‘A’ because enrollment is down, and the Dean is forcing me to pass everyone competent enough to spell their names. Any complements I give are insincere. I only wrote them so I could sleep at night.”

As much as she tried to keep an impartial attitude, I think it’s pretty clear that I earned her respect.


Second Part: Education’s Role in Social Discrimination

But while I argue the value of a university education, I can empathize with certain criticisms. For example, I agree with the age-old argument that education is simply another means of differentiating between social classes. Amazingly, even recipients of an education have agreed that something of a conspiracy exists. During the Middle Ages, no less than Lord Blaxsmeer the Viable, who had private tutors on all the latest advancements in leeching, said, “There is a difference between an idiot and an uneducated man.” Later, it was discovered that Lord Blaxsmeer really couldn’t tell the difference between the two. This explains why he appointed his court jester to the royal treasury, and often selected his generals based on their capacity to scare fruit. But one cannot doubt the wisdom inherent in his words. What he means is that not all idiots are made alike. All men could be idiots, but those who hold the banner of education, those particular idiots will always be more respected than the more run-of-the-mill idiots. So if society assumes that anyone with a college degree is not an idiot, by contrast, is it assumed than anyone without a degree certainly must be an idiot? Let us consider a beggar named Edgar Whitesmoor, whose observations on the social influence of education were recorded by London scholars who found them scribbled on the back of some important documents. Edgar Whitesmoor had this to say:

“’An these muddled times, ed’cation meens the diff’rence b‘tween sof pillas an hot tee ‘an the par-las, or a bed of nothin’ but ‘ard wooden planks. ‘Tis the thing rich mens keep close to th’mselves, lak a ‘nife ‘er a pis-til. ‘Tis a‘nother we-pon, ‘tis so, t’keep yer hot tee fer yerselves, ‘an nothin’ fer the rest of us.”

It was later revealed that Edgar Whitesmoor flunked out of a drunkard’s college, and often held lengthy conversations with other peoples’ hats. But why was society prejudiced against him? Because he refused to eat bread that wasn’t stale?—Whitesmoor believed sponginess was the work of Satan, and was often accused of Jewish sympathies because he purchased matzo bread instead of the regular kind. Or was the real reason because he didn’t have a college degree? Actually, it turned out to be neither. Shortly after scribbling his barely legible rantings, Edgar Whitesmoor was imprisoned in the Tower for attempting sexual congress with a hat.

Apparently, someone was wearing the hat at the time. He was judged to be clinically insane, and spent two months in the Tower before he was choked to death by a chunk of stale bread. The chunk of stale bread was released ten years later. After crossing over to France, it inspired Victor Hugo to write his famous novel Les Miserables.

Of course, whether or not educational prejudice existed in the 17th century, that doesn’t change the fact that it certainly exists today. However, the chasm is not between those who have college diplomas and those who do not. The man behind the counter of my local donut shop has a degree. Rather, our modern educational social classes are determined by how much one pays for his/her education. The more prestigious the university—and therefore the more expensive the school—the greater the quality of the education, true? Whether it’s true isn’t the point; society believes that it’s true. It no longer even matters the specialization of the degree. A person could have an Ivy League degree in basket weaving. Put that graduate in the same room as someone who just got out of Church Chicken’s Medical College in Redneck, Alabama, and see who the girls flock to. Granted, it could have something to do with the aroma of dead chicken that the second person kept giving off, but it could also have been because he wasn’t an Ivy Leaguer! And how many people out there can call themselves Ivy Leaguers? So many must toil about in community colleges, which have only recently updated their registration processes from carrier pigeons to Internet access.

And honestly, can the quality of a teaching staff be effectively determined by the amount of tuition dollars charged to the student? Those who would say ‘yes’ cite the more experienced instructors populating the pricier campuses. Naturally, instructors who have been in the field longer—who have already composed books and scholarly works, and who are old enough to have met Winston Churchill in person—these persons cost more than teachers who are fresh out of college. But does that mean they are better teachers? Of course it doesn’t. A perfect example: Marlon Brando would require several millions of dollars and a Cayman Island to teach a single semester of acting school. But has anyone seen The Island of Dr. Moreau? Good lord, who wants to learn acting chops from an aging mastodon who wore ice cubes on his head? And yes, I acknowledge that Brando starred in A Streetcar Named Desire, On the Waterfront, and The Godfather. Ronald Reagan used to be the most powerful man in the free world. Anyone go to him for advice on foreign policy anymore?

And what about Jeff Goldblum? UCLA must shell out pretty good for him, which is amazing, since I can’t think of a single decent movie Jeff Goldblum ever starred in. Here is a prime example of the expensive, experienced instructor, who might be more hype than substance. While it’s true that Jeff Goldblum has appeared in numerous films over the years, all that really means is that on numerous occasions, Jeff Goldblum has allowed someone to aim a camera at him. Having someone aim a camera at you does not require anything exceptional on your part. For it to succeed, all that is required is that the person not be invisible.

One could argue that Jeff Goldblum’s real acting talents lie in an ability not to be transparent. Of course, this is a talent shared by just about everyone else in the world. Yet Jeff Goldblum is much in demand on the teachers’ circuit. And of course, only the colleges with deeper pockets, who charge larger amounts of tuition, can afford Jeff Goldblum. Subsequently, these colleges with the deeper troughs become the most selective and competitive acting schools. Applicants increase by leaps and bounds. Aspiring actors all want to attend, because the instuctors are of Jeff Goldblum quality. But since Jeff Goldblum may not even be a decent actor, what really promotes the university is not the quality of the staff. It’s the fact the university can afford expensive staff. Money is mistaken for quality. Even more disturbingly, Jeff Goldblum continues to find work.


Third Part: Syphilis Wrecked My Mind… but I still got into community college.

During the summer of ’99, I went driving around my home state of Florida. I was killing time between college semesters, trying to find something to fire up the literary faculties of my brain. In a small town somewhere between Ft. Myers and Daytona Beach, I alighted unto a moderate college campus. There, shaded beneath a row of leafy sable palms, I found a young man by the name of Jorge cradling his guitar. He sang songs from his makeshift stage, the expansive lawns of the main administration building. One song had a refrain I’ll never forget:

“I would have gone to Julliard / But syphilis wrecked my mind.”

The only thing more tableau-like than the tableau itself was the tableau hidden underneath the original tableau. To wit, young man with big dreams but stuck in a small school. Big fish in a little fishtank. Studebaker in a land of Hot Wheels. I don’t know if Jorge ever made it to Julliard. But speaking as an ex-college student who went from a tiny swampwater college in the ass-end of Miami, to the big stage and exorbitant tuitions of New York University, I can say “Believe you me, Jorge. You’ve got nothing in life worth regretting.” Well, except for contracting syphilis. And those four grams of pot they busted you with that same afternoon. And now that I think about it, your guitar playing wasn’t really that exceptional. You might have wanted to concentrate your energies into a different artistic venture, but I guess it’s too late now.

However, in spite of all the things Jorge did which he could regret, the one thing which he should never regret was attending his local community college. Again, while many private and large state campuses offer more quantitatively—that is, more professors who can teach a particular subject, and post-bacalaureate courses during actual daytime hours—by no means are private schools superior qualitatively. On purely qualitative terms, the education from any one school is equal to that of any other. It is society’s fault that we see any difference. Society has programmed the majority of us to only pay attention to the name at the top of the degree. For our society, like most societies, places almost superstitious value on history and tradition. We value “old wine” re-served in “new bottles.” Why is this? I don’t know. Perhaps we fear failure.
Perhaps we fear change. Or perhaps, in our minds, the clearest way to gauge our own successes is by comparing them to those of our fathers, and their fathers. We recognize a path which has served our predecessor well, and so—either directly, or in a more subtle way—we follow that same path. So our father was a doctor; then let us become a doctor. Our father chose a practical way of life; let us choose a practical way as well. Our father attended the prestigious Harvard Law… so nothing short of the same college will be acceptable? No no no, this cannot be. I believe there is a certain nobility inherent in tradition. It may benefit someone who hasn’t the slightest clue what direction to take in life, to put on the lemming outfit. But reverance for the institutions of our forefathers should never overshadow the opportunity to blaze an original trail in life. The American poet Robert Frost put it best: “I took the road less travelled by / And that has made all the difference.” So to those who missed out on the bigger schools, I say “Take the road less travelled by.” Enroll in colleges no one’s ever heard of. Don’t worry what your Ivy Leaguer parents might say. If the school doesn’t have any Division A sports teams, you could become a star quarterback by default. That will certainly make them proud! And you’ll still get an education, not to mention the most exciting 4-to-6 years of your life. One cannot put a price on that. And if you could, it would be simply immeasurable. So in light of that, I say to you, Mr. Student Loan Officer, cut me some slack on my Staffords! FOR THE LOVE OF GOD, I WAS ONLY AN ENGLISH MAJOR!!!

In conclusion:

It was my intention to appeal to those uninitiated into the college life, as well as those currently embroiled in it. Or those like me, finished with it, and wondering if it was all worth the trouble. To the first, I hope I have convinced you to ignore your lazy hippie friends, and to give higher education a shot. You can always join the armed services later. To those of the second group, I hope you will turn a more critical eye towards your role in the educational system, as well as its role in the larger scheme of things. Ask what your college can do for you. Then ask, Could any other college do the exact same thing? Finally, to my fellow bachelors and bachelorettes, I commend you on a long day’s journey into night completed. But if you still occasionally wonder whether the last five years would’ve been better spent working your way up the intricate employment ladder that is your local Dairy Queen—Hey, what do you want me to tell you? If you still don’t know what you managed to get out of college, I advise you to do exactly what I did: Sit down and do some off-the-cuff writing about your experiences. Don’t tell me you didn’t learn anything. Instead, show me everything you don’t think you learned. You don’t even need to submit a 10-page paper; sometimes, we can sum up everything education has given us in a few simple lines. I know I definitely can:

What College Has Given Me
-an original poem composed by Phil ‘x’

Education is to be educated /
And to be educated an education /
That is all there is / And all ye need to know.

The value of that, to me, is immeasurable.

Sunday, August 11, 2002

THE RELUCTANT FILM CRITIC’S CORNER

Movie Review: “Manhunter” (1986)

This fall, Hannibal Lecter will be returning to theaters in “Red Dragon,” based on the novel by Thomas Harris (Also writer of “The Silence of the Lambs” and “Hannibal.”) However, film aficionados may not realize that a version of “Red Dragon” already exists. In 1986, maverick director Michael Mann wrote his own draft of the novel, then subsequently made the film, retitling it “Manhunter.” The new movie serves as a prequel to “Silence,” featuring a younger Dr. Lecter and no FBI agent Clarice Starling. I can kinda understand why the director didn’t keep the original title. All things being equal, the screenplay credit should read, “Based on the first half of Thomas Harris’ novel Red Dragon.” But it’s still more accurate than most adaptations of novels to celluloid, as well as a satisfying thriller flick, albeit a somewhat dated one.

“Manhunter,” like Red Dragon, centers around FBI agent Will Graham. He’s an expert in tracking down serial killers, and in mothballs since his last assignment. Along comes the “Tooth Fairy,” who preys on families using a lunar cycle. Every thirty days he serves up another blood-and-marrow smorgasbord. The FBI, having exhausted all other means of finding out who the crazy bastard is, come calling on ex-agent Graham. He’s reluctant to return to the job, but this is a movie so he gets over his reluctance fast.

Not only is this a movie, but it’s a Michael Mann movie. The cinematographer is Dante Spinotti, and Mann re-teams with him repeatedly in later films (He’s sort of Gordon Willis to Mann’s Francis Coppola.) Even at this early stage, the pair seem to have mastered the director’s signature “style”—reliance on atmosphere over dialogue, effective color compositions. While “Manhunter” was only his third feature, much of the technique one finds later in “Heat” and “The Insider” is clearly in evidence. Scenes between Graham and his wife are shot in cool blue tones. The effect is as tranquil as the ocean waves lapping up the surf in the background. By contrast, the “Tooth Fairy’s” scenes are bathed in a stark, primary red. While it’s an obvious visual metaphor—I mean, the guy does to refer to himself as the Red Dragon—the color contrasts also remind us of what Graham is compelled to sacrifice. He trades in what peace he has, domestic bliss and inner tranquility, to return to a nightmarish world of unspeakable evil.

I’ve read other reviews of this movie which call it “superior to ‘Silence of the Lambs.’” Boy, I can’t agree with that. Jonathan Demme’s 1991 film, which starred Jodie Foster and Anthony Hopkins, seems to get better every time I see it. “Manhunter,” on the other hand, suffers from Mann’s tendency for what appears to be “cool” at the moment. There’s more 80’s synthesizer music than I’m capable of enduring (This is also the case of “Heat,” which won’t help that movie over time, either.) And there’s another moment where a song blasted up from the speakers, and instead of pulling me in, it completely distracted me. Instead of watching the movie, I sat there thinking, “Who is that, Huey Lewis?”

The performances, meanwhile, are mixed. A relative unknown named William Peterson did a really good job as agent Graham. The infamous Dr. Hannibal Lecter is played by another British actor named Brian Cox. While the spectre of Anthony Hopkins will forever hang over Hannibal Lecter, that’s partially because the character had much more to do in “Silence” than he does in “Red Dragon.” But Cox does a good job with the material at hand. His Lecter is neither better, nor worse than Hopkins.’ It’s Cox’ own, and it would be interesting to know if the stage vet who did “Silence” had even been aware of his predecessor. Incidentally, one shouldn’t pity Cox for missing the proverbial boat by not revisiting the character in “Silence.” While he’s been toiling in obscurity for most of the 80’s and 90’s, Cox recently had key roles in “The Boxer” and “Rushmore.” He’ll be appearing next as the key villain in the sequel to “X-Men,” getting a role that, ironically, was supposed to have been written for Hopkins.

Other roles in “Manhunter” include “Brazil” dream girl Kim Greist as Graham’s wife Molly. Unlike the novel, where the character had to bear the psychological brunt of Graham’s return to his calling, this Molly doesn’t have much else to do outside of answering the phone and undressing. The “Tooth Fairy” himself is played by Tom Noonan, who looks like a tall, gaunt boogeyman with John Malkovich’s voice. He isn’t much scarier than the “Jame Gumb” psycho Clarice Starling had to take down. Finally, the “Tooth Fairy’s” blind and unsuspecting girlfriend is played by a then-unknown Joan Allen. She seems embarrassed and confused, and well she should since the character is one-note and set up to be a requisite “girl in danger.”

Unfortunately, by simplifying her, Mann completely excises one of the major conflicts of the novel. He forgoes the psychological tug-of-war between the serial killer, the blind woman who actually loves him, and the “Red Dragon” whom he imagines speaking to him. Perhaps the director wanted to concentrate strictly on the procedural aspects of tracking down the “Tooth Fairy.” However, by sticking to the FBI’s side of the investigation, the killer is reduced to just another Michael Myers type.

Luckily, the flaws don’t bring the film down until well toward the end. By then, what transpires is well-crafted, taut, and at times approaching awesome. Given how prolific dumbed-down, teenage slasher flicks were during the eighties, it’s understandable that a film like “Manhunter,” with its superficial similarities, could’ve easily been buried under all those mounds of barely-watchable garbage. But today the film has more appeal than ever. Michael Mann has had some major critical hits, including “Heat,” “The Insider,” and “The Last of the Mohicans.” Fans of his work will likely enjoy this one. Then there are all the Lecter fanatics who, while they may be initially disappointed that Sir Anthony hadn’t been cast at the time, can at least whet their appetites ‘til Brett Ratner’s remake comes out in a few months. Last but not least, this is for anyone who sat through “The Silence of the Lambs” then asked “Are there any other really well-made FBI procedural flicks out there?” This is such a one, and it will probably satisfy them way more than “Hannibal” did.

“Manhunter” is style with some substance to it. It doesn’t have the “quick dollar” feel that “Hannibal” had, and even if it adapts just the first half of a really fine novel, well, it’s a really good first half.

Friday, August 09, 2002

Good morning, all. Today, August 9th, 2002, marks the launch of my first-ever blog, LIVE! NUDE! GIRLS! For those of you expecting actual photos of live nude girls, you will likely be very disappointed (But hopefully, not violently angry). Don’t expect to find any material of that nature here. I won’t be posting any, and if you choose to submit any obscene material of your own, don’t expect me to post it (Although I will look at it myself, and if I enjoy it, I will send you a personalized thank you note). I only chose the title LIVE! NUDE! GIRLS! because it sounded flashy. Hey, I’m trying to attract as much interest as I can. I mean, I could have given it a more generic name like “Phil’s Blog.” Whoa, that’s a winner. I don’t know. It just sounds funny. Plus, if you spell it backwards, it becomes “Golbslihp,” which sounds like something out of a sci-fi/fantasy novel.

Elf warrior: Let us hurry! We must reach the orc village of Golb’s Lip by nightfall!

Other Elf warrior: Golb’s Lip? Where’s that?

First Elf warrior: Slightly south of Golb’s Nose and slightly north of Golb’s Chin.

Other Elf warrior: Who the hell is Golb, anyway? And how did he get lips that big?

First Elf warrior: I don’t know. But I can only imagine how awful his cold sores must be.

Other Elf warrior: Say, that’s not even a map! You’ve been reading the cover of a Cosmo magazine!

First Elf warrior: So that’s why we didn’t see the words “10 Days to Firmer Thighs” anywhere in the southeastern region!

(The two warriors ride on, only to be devoured by the fearsome UPC Code of the realm.)

Thanks for bearing with me. I’m supposed to be attending a little shindig tonight, a housewarming party for one of the persons who helped me set up this literary travesty of a web page. Unfortunately, I woke up with a cold, so I don’t think I’ll make it. Guess I have plenty of time to write some more!

This runny nose of mine reminds me of the flu I caught back in the Spring of 2001. Back then, when you had a flu, you went to see this feller called a “doctor.” He would put take this metal device, about the size and shape of a silver dollar, only a bit larger, then he’d put it against your chest and listen through a pair of connecting earphones. He called this device a “stethoscope.” He’d put the end of the “stethoscope” against your “chest,” then he’d tell you to “breathe.” Then the doc would write out a “prescription,” which you’d take to the “pharmacy.” The “pharmacy” would tell you that they didn’t accept your “insurance.” That would cause you to have a “conniption,” which would kill you instantly, thus relieving you of your need for medicine.

So anyway, I had a godawful flu, and my doctor wasn’t going to be in until after a long weekend. Rather than go to the emergency room, which I should have done, I decided to just spend the 2-3 days suffering through my affliction. To anyone out there who’s considering going a weekend with a temperature well over 100 degrees, let me tell you, you get to experience some serious weirdness if you can survive. I spent half the weekend groaning pathetically in my sick bed, and the other half dreaming I was FLEET PEDTRACK, son of nobility on a faraway desert planet.

Rather than be a content little landowner’s child, I joined a resistance movement to overthrow our society’s brutal caste system, replacing it with an order wherein man could freely choose his/her own destiny. We accomplished this by forcing anyone we could find into joining our army.

Us: Noble peasant whom we have just met, how would you like to join the cause for universal freedom?

Noble peasant: No, thank you.

Us: Too bad! If you don’t join us, we’ll kill you!

Ah, those were good times. While the fever eventually broke, it took me a while to realize that the dream world was not reality, and that my exiled Brooklyn existence was not some nightmare I could routinely wake from. That was something of a bummer. But hey, you can’t have everything in life. So I’m going to spend the day lounging about, drinking plenty of liquids, and occassionally checking my blog. Let me know if you want to visit; I’ll send you a map. Just remember to turn right at the UPC symbol, and make your way gradually up to the “Cosmo” banner.


IF YOU HAVE SOME ILLNESS-RELATED EXPERIENCES YOU’D LIKE TO SHARE, SUBMIT THEM TO LIVE! NUDE! GIRLS!

Thursday, August 08, 2002

This is my first post. Thank you, Maggie.